📚 I’m excited to read Loving God with Our Minds: The Pastor as Theologian today. Gonna start with Brian Daley’s chapter on Gregory of Nazianzus, then Moltmann’s “Praying with Eyes Open”.

If you eat more mozzerella cheese, can you increase the number of doctorates awarded to civil engineers? No. But there are a whole lot more spurious correlations for you to laugh at.

What do you do when the pastor isn’t at church to preach and lead worship on Sunday?

This happened to Covenant last Sunday.

About two hours before I was supposed to be at church, I had some severe pain and ended up in the emergency room. I was hoping I could get out quickly and still get to church on time, but when I learned the estimated wait times on lab results—and the pain hadn’t abated—I realized that wasn’t going to happen.

I’m feeling fine now, but there are other times in the life of the church when a pastor can’t be present, like during his vacation or study leave, or during a pastoral search process. And mission works without a church planter often face this probelm. So what’s a church to do? Especially, when there is no associate minister or nearby pastor in another church to help.

One option is to have ready-to-use liturgies on hand that don’t require preaching. It’s not ideal, but it’s not a bad option at all. I put one of these together at the beginning of the year, and an elder used it one of our two services last Sunday. It went well, but we quickly realized that having more of these on hand would be a good idea.

What follows is the (slightly revised) email and liturgy I sent to my elders ten months ago. Feel free to copy and adapt it for your own needs. And if you write one of these, please share!


Subject: A Simple Liturgy, In Case I’m Not There

Dear brothers,

I thought it might be useful for you to have a ready-to-use liturgy in case I am unable to lead worship for some reason. So, I put one together for you. If you like, you could print out a copy and keep it at church somewhere you can find it. I suggest a locked glass case with a hammer hanging on a hook nearby. Just for fun.

For the King, Christopher

Invocation and Prayer: “Our Heavenly Father, you are holy, wise, and powerful above all things. By your grace we are forgiven our sins and made alive in Christ. We pray that as we meet with you now, by the power of the Holy Spirit, you would make alive those who are dead in sin, and that those who are already born again would be built up in the true Christian faith. O Holy Spirit, transform all you hear your Word, so that we may not just be hearers of the Word, but doers of the word as well. We pray in the name of our only mediator, Jesus Christ our glorious Lord. Amen.”

Hymn: To God Be the Glory (THR, 55; TPH, 236)

Expository Reading: John 12:1-19

Hymn: Psalm 110 (THR, 313; TPH 110B)

Lord’s Prayer: “Our Father in heaven, hallowed be your name. Your kingdom come, your will be done on earth as it is in heaven. Give us this day our daily bread, and forgive us our debts, as we also have forgiven our debtors. And lead us not into temptation but deliver us from evil. For yours is the kingdom, and the power, and the glory, forever. Amen.”

Hymn: Jesus! What a Friend for Sinner! (THR, 498; TPH 456)

Expository Reading: John 12:20-36a, 13:1-28, 18:1-19:30

Hymn: Lift High the Cross (THR, 263; TPH 287)

Prayer for God’s Blessing: “Almighty God, we praise you for revealing your glorious grace to us in the gospel of Jesus Christ. Teach us to believe it and follow after him. And we ask that you would keep us from stumbling and present us blameless before the presence of your glory with great joy. And to you, the only God, our Savior, through Jesus Christ our Lord, be glory, majesty, dominion, and authority, before all time and now and forever more. Amen.”

Notes:

  • THR = Trinity Hymnal Revised; TPH = Trinity Psalter-Hymnal.
  • In “expository reading,” one reads the text with the goal of communicating the meaning of the text, though without additional comment. So, no sermon, just good reading. I learned this term from Daniel I. Block in his book, For the Glory of God: Recovering a Biblical Theology of Worship, 191. (The liturgy above is modified from one he recounts in fn. 54 on that page.) Block says, “Expository reading means reading the Scriptures so that their literary qualities are appreciated, their message understood, and their transformative power experienced.”

Visit christopherchelpka.com/simple-liturgies/ for more simple liturgies like this one.

Guess who said this about Martin Luther.

”That great man of God, a third Elias, and a second Paul, (if I may venture the expression) though he was no inspired teacher, was endued with a great measure of the spirit of them both…”

Hint: A Scottish Presbyterian.

“Two are better than one, because they have a good reward for their toil. For if they fall, one will lift up his fellow. But woe to him who is alone when he falls and has not another to lift him up! Again, if two lie together, they keep warm, but how can one keep warm alone?”

It’s almost Christmastime, and if you’re a string player wanting to play some Christmas music this year, I’ve got a great recommendation for you.

Buy for yourself, and anyone you might want to play, with Robert S. Frost’s Christmas Kaleidoscope books: Book 1 and Book 2. I have been playing from these books every Christmas since the mid-90s and I’m still not tired of them. Here’s why they work so well.

You can find a book for your instrument.

There is a book available for violin, viola, cello, bass, and piano. There is even a conductor’s score.

The books work GREAT with ensembles.

With the Christmas Kaliedoscope books, you can put together any kind of string ensemble you want. This is possible because every book has a melody line and two harmony parts. The melody line is listed as A; the harmony parts are B, C, D, and E. Violin and viola have the A, B, and C parts in their books. Cello and bass have the A, D, and E parts. This means that when playing with others it is easy to pass the melody around, and you can switch to different harmony parts as you please, no matter what instrument you’re playing. The possibilities for interesting arrangements are endless.

The publisher once produced books for every instrument. As far as I can tell, only the string books, piano, and conductor’s score are available now. But perhaps if you’re an internet super-sleuth, or if you want to clean my garage, you might be able to find the ones for winds and brass.

Between the two books, you get a solid collection of classic Christmas songs.

The two books give a total of 30 songs including Silent Night, Here We Come A-Caroling, Angels We Have Heard on High, The First Noel, and We Wish You A Merry Christmas. You can see the complete table of contents for Book 1 and Book 2.

The books are not difficult.

If you’re familiar with the difficulty grading system publishers sometimes use, Books 1 and 2 are graded at levels 1 and 2, respectively. Essentially, this means that Christmas Kaleidoscope can be played by anyone except the most beginning of beginning players. So, even if you’ve had only a few months of playing your instrument, you can definitely learn most of these songs, especially in Book 1.

But anyone will enjoy playing these pieces.

Though the songs aren’t difficult, Robert Frost’s arrangements are so well-written that professionals enjoy playing and improvising from them too. I know this from personal experience.

Bottom line:

The Christmas Kaleidoscope books give you a solid collection of Christmas songs that you can play as solos or with your friends, all while creating different arrangements every time you play. You will enjoy playing them and your audience will love listening.

For my cello students, here are direct links to Christmas Kaleidoscope Book 1 and Book 2. For everyone else, use this link to search. May you have a very merry, music-making Christmas. 🎁

Prof. Libbie Groves’s dramatic recitation of Jonah (in biblical Hebrew!) is both funny and serious, just like the book. Check it out! You’ll enjoy it even if you don’t know Hebrew.

I’m using an Apple Smart Keyboard with a 10.5” iPad Pro running iOS 12.1.

1. Connect a keyboard.

You can’t access Greek accents or Hebrew niqqud (vowels, dagesh, shwa, etc.), with the iOS touchscreen keyboard.

2. Add Greek and Hebrew keyboards.

Settings > General > Keyboard > Keyboards > Add New Keyboard…

3. Change Greek to Greek - Polytonic and Hebrew to Hebrew-QWERTY.

Settings > General > Keyboard > Hardware Keyboards > Greek > Greek - Polytonic. Follow the same for Hebrew, but choose Hebrew - QWERTY.

4. Wherever you are typing, choose a font that contains Greek, Hebrew, and English letters.

Times New Roman is already installed and capable of this.

5. Switch keyboards—not fonts—using the global key on your keyboard.

Or use whatever switching command you’ve set up.

6. Learn to use the keyboards.

Especially learn the option+number keys for Hebrew niqqud and the option+punctuation keys for Greek accents.

Bonus Tips!

  • Under the keyboards menu (see Step 2), you can click “edit” and then drag the keyboards into your preferred order.
  • If you like, you can install other capable fonts. For example, Accordance has a font package you can install using the AnyFont app. And the font, Cardo, can be installed directly from FontSquirrel.com.

Today, I’m going to learn Hebrew like my daughter eats spaghetti.